Nov 10th, 2009 Posted in 19th Century, Drawing Matters, Modern Classical Training | View Comments
Here is my next completed Bargue drawing copy. The drawing is more highly rendered and required a lot of work in the halftones and a smooth transition between the shadows to the halftones. The first two drawings I completed were more “stop-modeled” and did not require a high rendering approach to give the impression of three-dimensionality. For this portrait copy the forms were soft and rounded making the construction more challenging.

Bargue Plate 53, Jeune Femme (Young Woman), Graphite

Tags: art training, Bargue, drawing, sight-size
Jul 27th, 2009 Posted in 19th Century, Drawing Matters | View Comments
Here’s a drawing copy of a Bargue plate I completed via the sight-size approach. Essentially it requires drawing what you see from a specific distance. The vertical plumb is very important and the mirror became my best friend in trying to spot all the drawing mistakes for correction. The black mirror came in handy when trying to get all the values exact in my copy. This approach shares many similarities with the usual block-in/envelope approach where everything is done by eye first and measuring is a way to correct rather than construct a drawing.

back, male torso (Bargue Plate 56)
The left column features a schematic to aid you in approaching the “block-in” for the Bargue copy while the one next to it is the finished drawing. The drawing on the right column is my finished drawing.

Tags: art training, Bargue, drawing, sight-size